Haven’t seen this mentioned; decided to post a small post to enlighten:
At 6 o’clock one morning back in 2000, Austrian art group gelatin suctioned out a window on one of the top floors of the World Trade Center, shunted out a narrow balcony constructed of smuggled building materials, and posed on it while a helicopter flew by and took their photographs. An unbelievable, completely illegal, and fully secret stunt when it was performed. As proof that they were there, there is now a piece of old chewing gum stuck to the outside of the building at a dizzy height. But the interesting thing is that this was one year before the World Trade Center would collapse.
Well what if I told you that a large group of artists were given space and construction access to the World Trade Center in the four years leading up to 9/11.. And that most of them were Israeli.. Well Interesting… But below are some of the ‘B-Thing’ photos:
(I will post more stuff below these images; outlining a possible conspiracy that many overlooked)
E-TEAM and GELATIN who were selected to be part of the Lower Manhattan Cultural Council (LMCC) World Views / Studioscape (link gone now) programs that allowed them and other artists to work and live in the WTC in the four years leading up to 9/11 on different floors, including 91 and 92 of the North Tower. Additionally, they were given seven day a week construction access to the WTC that allowed them to freely move all sorts of materials in and out of the complex.
For artists to be able to take out windows on the 91st floor and install a makeshift “balcony” (see the NYTimes, August 2001) protruding out of the building should give you some real insight into just how lax WTC security was at that time and how dangerous the LMCC program was. Sounds to me like the WTC was conveniently out of control in the years leading up to 9/11 and that security there was a complete joke as far as these artists and all their friends were concerned…
It’s plausible that the E-Team might also stand for Explosives Team and that Gelatin’s The B-Thing may also be, not so secretly, referring to explosives (see blasting gelatin & note that Gelatin became Gelitin in ’05…wonder why?). Keep in mind that we gave these foreign groups WTC construction access and allowed them to live directly in the strike zone through the LMCC World Views and Studioscape programs.
Considering the controlled demolition evidence now available to us, it might be important to look at these artists and their artwork in a new light, since the explosives had to be put there by some group of people who had access. I find it interesting that some of the above artwork has no real significance without the events of 9/11, especially when you consider that these are artists deemed so talented by the LMCC’s standards, that they should be given free studio space and homes in the World Trade Center.
Also Note the climbing gear and the detailed outer structure & inner core renderings in the The B-Thing floor plan & photos below. Also consider the very precise timing notes on that plan drawing and how important that kind of thing might be for certain types of activities, when buildings are occupied.
I’m not accusing anyone here, it all may be very innocent, I’m just stating that it is possible and that it is a very strange set of coincidences under the circumstances. However, I do think it’s of national importance to investigate thoroughly the LMCC programs, its administrators, directors, all WTC/LMCC artists, all related artwork and photography.
What are the odds that an avant garde Austrian art group was given access to the 91st floor of the North Tower of the World Trade Center to remove windows, erect platforms outside the structure and leave material that could only be viewed by a close passing helicopter on a clear day?
What are the odds the art troupe are named after an explosive called Gelatin? What are the odds this group is sponsored by a cultural group who has an Israeli agent as a member who lived blocks from Mohammed Atta; the terrorist who hated modern art and crashed an aircraft into it?
What are the odds that the markings on the cases that lined the walls of the space they were using were the same markings used for a special fuse holder assembly that allows for complex wiring?
What are the odds the New York Times actually published a full page feature in August even showing pictures of the artists at work?
What are the odds the graphic above if found in the hands of a Muslim in Iraq or Afghanistan would get you a one way ticket to Guantanimo with no chance to escape the water boarding season? Well more than 100% for sure; for every single thing listed above…..
Part Number: BB18
Series: POWR-BAR Busbar
Interesting that the room is stacked from floor to ceiling with these boxes of BB18 – POWR Busbar for electrical wiring for new branches of connections? Not sure but did a quick search. So we are still left with more questions than answers… But I find it interesting this wasn’t mentioned on too many sites about the 9/11 Conspiracy.